Yurena: The Historic Pop Icon's Return from Santurtzi to Madrid

Yurena, formerly known as Tamara and Ámbar, has made a significant comeback to the pop scene after a decade of discretion, culminating in the largest concert of her career.

Generic image of a microphone on a stage, suggesting a concert atmosphere.
IA

Generic image of a microphone on a stage, suggesting a concert atmosphere.

Artist Yurena, born in Barakaldo, made her grand return to the pop scene in 2026, after a decade of low profile, with the most ambitious concert of her career at Palacio Vistalegre in Madrid.

Yurena, initially known as Tamara and later as Ámbar, has made a remarkable return to the media spotlight in 2026, following over a decade of discretion. This period was marked by the passing of her mother, the unforgettable Margarita Seisdedos, and by the evolution of television, which has moved on from some of the personalities it once championed a quarter-century ago. Nevertheless, pop culture always retains its memory and its flair for spectacle.
The path to this comeback began with Superestar, a series created by Nacho Vigalondo, which offered a contemporary and vibrant look at the eccentric universe of the early 2000s, featuring late-night sets and television surrealism. Subsequently, the documentary Sigo siendo la misma, served as a reminder that behind the media phenomenon lies an artist who has tirelessly fought for her place in the industry.
Indeed, before the media whirlwind, there was solid training. Although many may not know, Yurena began her singing studies in 1990 in Las Arenas with teacher Concha Jiménez, and consulted phoniatrician Balbino Rojo in Barakaldo to re-educate a voice that suffered from aphonia issues. Her debut took place in 1991 in a pub in Portugalete, and by 1993, she was already recording her first album at Norte studios, where the initial version of her well-known song A por ti emerged.
The explosion of her popularity came with her participation in Crónicas Marcianas, which propelled Tamara into an almost global phenomenon. Her song No cambié, held the number one spot for nine weeks, even surpassing Alejandro Sanz, despite initial radio resistance to playing it. At the turn of the millennium, the world discovered the appeal of the extravagant.
This unique form of enjoyment and admiration culminated on March 27 at Palacio Vistalegre in Madrid, where a cycle was closed with El concierto que nunca fue, the most ambitious show in Yurena's career. A journey that took her from Santurtzi to the heart of the capital. Ultimately, amidst nostalgia, irony, and pop memory, the artist who once introduced herself as Tamara has achieved something few manage: to outlive the joke and, finally, become history.